Travis ScottHis journey in the music industry opened up many channels for the rapper to be successful. After landing a third place on the Billboard 200 with his debut album, Rodeo, in 2015, the Houston native rightfully achieved No.1 status when his 2016 LP, Birds in the trap sing McKnight, debuted atop the 200 chart in September this year. His 2018 album, Astroworld, was another milestone in his career after coming to number one and spending more than 130 weeks on the charts. The three-in-one production featured on the Drake and Swae Lee attended “Sicko mode” highlighted how a song didn’t have to stick to a formula to become a No.1 hit. The track produced by Hit-Boy, OZ, Tay Keith, Cubeatz and Rogét Chahayed won two 2019 Grammy nominations , adding to the rhymer’s reputation for creating quality songs and rhythms. His catalog has made him a source of inspiration for budding producers Travis Scott type beats.
For three years Astroworld and “Sicko Mode”, The Flame has been non-stop. The 29-year-old rapper’s most recent song releases debuted atop the Billboard Hot 100, continuing Travis’ hit streak. the Kid Cudi collab “The Scotts” is a mid-tempo ode with electrifying synths, booming bass, and an alarming beep that stays consistent throughout. Dot Da Genius, Plain Pat and Take a Daytrip are to be thanked for the production. Shortly after arriving, Travis and Cudi saw their hard work pay off, securing No. 1 on the Billboard Hot 100, a week after its March 4, 2020 release.
That same year, Cactus founder Jack won his second No. 1 song in a calendar year with “Franchise” with Young Thug and MIA in October 2020. Chase B designed the distorted bass banger.
Previously, Travis’ ‘highest in the room’ had also landed at No.1 in 2019. Mike Dean, OZ and Nik D are responsible for the flamenco-inspired trap rhythms, bass drums and a spicy 808 signature that adds depth to the creation. “She fills my mind with ideas / I’m the tallest in the room,” the rapper hums as the ad-libs retreat into production, completing the track.
The kind of beats that Travis Scott often draws on are full of the kind of rage-inducing energy that is showcased in his concerts. Moody synths, atmospheric production, and beat drops are just a few of the things you’ll find. Go back to “Upper Echelon” from 2013 to feel the beat activity building up to vibrate Anthony Kilhoffer’s production. 2014’s “Mamacita” starring Young Thug and Rich Homie Quan finds Travis, Metro Boomin and DJ Dahi sampling Bobby Bland’s guitar intro (If Loving You Is Wrong) I Don’t Want to Be Right “throughout the track in full swing. ” 2015’s 3500 “with 2 Chainz and Future is more of a scintillating effort designed by Travis, Mike Dean, Metro Boomin and Mano. Dean, Zaytoven and Allen Ritter shine on the variety of keys displayed on this one.
Mike Dean is the beatsmith who worked on many of Travis’ early hits, whether adding to production through guitars or keys, or doing engineering. Songs like “Biebs in the Trap” produced by Nav; “Pick Up The Phone” with Young Thug, co-produced by Vinylz, Frank Dukes, Allen Ritter and Dean; and “Goosebumps” with Kendrick Lamar, co-produced by Cardo and Cubeatz, all include Dean’s magic touch. Each track features light hums led by slow instrumental intros before grand, stacked drums dominate the beat, leaving a thrilling production in its wake.
With the constant stream of Travis Scott singles climbing to the top of the Billboard Hot 100, budding producers began to create a production similar to his sound. Check out the latest Travis Scott-type beats below.
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